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Either way, my initial impressions from the 12:1 BRAW compression is that is very useful and a hell of a lot easier to edit than CinemaDNG or even ProRes 4444 (at least on my age-in MBP 2015, which is a dog of a laptop).Įdited in Resolve 15, with just the official BMD Film to Extended Video LUT included in Resolve. Apologies for the flicker in some shots, this is my mistake, as I forgot to change frequency back to 50Hz as I was messing with the settings prior (or adjust my shutter to 172.8 degrees). the full-sensor in 24p and also one shot in 60p on a 128GB Lexar CFast 2.0 card. #BLACKMAGIC DAVINCI RESOLVE 15 PRO#I have a lot more to upload, and will do my best to do upload as much as I can in the next few days, as I am in between shoots right now, and it’s all a bit crazy over here.Īll shot in 12:1 BRAW compression with the URSA Mini Pro in 4.6K “open-gate” i.e. So this footage is just a few quick shots rather than a more encompassing test. I shot this footage on a rainy late afternoon/sort of dusk, really quickly as I needed to get a charger for a V-mount battery from a friend, so I shot this footage quickly with the remaining battery I had (it’s a long story). I have been shooting some tests with the new Blackmagic Raw format recently for the past few days, and I just wanted to share some of the first things I shot with the URSA Mini Pro, that Blackmagic Design kindly lend me to test BRAW. ![]() #BLACKMAGIC DAVINCI RESOLVE 15 DOWNLOAD#Resolve 15.1.2 also includes some general performance and stability improvements, and it is recommended you download the latest version either for Studio or the free version from Blackmagic Design’s support page here.
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